Iz gekumen dos fayer un farbrent dem shtekn” (Then Came a Fire and Burnt the Stick). ‘From Khad gadya (Kiev: Kultur-lige, 1919). El Lissitzky. Color lithograph on paper.

El Lissitzky’s colored lithographic volume of the traditional Passover song “Khad gadye” (One Kid; 1919)—a reworking of earlier watercolors dating from 1917–1918—marked his last innovation as a participant in the Jewish art renaissance. These 10 illustrations share a common page design, always divided into three parts. At the top is a Hebrew letter as a numeral in animal form. In the middle section there is a Jugendstil domed frame with a key Aramaic verse in Yiddish, below which is a flat, figural illustration consisting of curvilinear lines with distinct areas of color, nonrealistic scale, and an imaginative handling of pictorial space (e.g., a firebird bigger than a church; people flying about); the composition, asymmetrical and on a diagonal axis, constantly seeks to achieve a dynamic sense of movement. At the bottom of the page, one finds the original Aramaic opening words. Some see this work as supporting the Bolshevik cause in its handling of the traditional text by means of the illustrations; the color symbolism and imagery tends to support this view. (via YIVO)

See all 10 (+ cover) illustrations here.

  July 13, 2012 at 12:40pm
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